Silent Shout Will Be Released in the U.S.

The Knife
Pitchfork has the exclusive scoop that The Knife have signed to Mute records. Mute is a pretty cool label, and as Pitchfork says, they will fit in quite well.

Although this is great and means the stateside release of their latest album Silent Shout (which I’ve been planning on doing a review of soon — I bought the import version the week it came out), I’m a little disappointed (but at the same time not feeling resentful) that neither the album nor the single will have any “value-added” material for us “rabid” (The Knife’s current/Sweedish label is Rabid Records) fans. If nothing else, I’d love to see some different remixes for the CD single of the song “Silent Shout.” I guess the fact it includes the Shinedoe remix is cool (since it’s vinyl/web download from the Rabid Records MP3 shop), but I want more more more!

At the same time, I say that I’m not feeling resentful because sometimes I end up purchasing an import album and then when it is finally released in the U.S. it includes some additional tracks which then puts me in the dilemma of: should I buy another copy of the album or live without the tracks, or what. (Though usually the bonus tracks are from already-available singles as remixes or b-sides so it’s okay.)

All this said, yay for The Knife and here’s hoping for some more exposure for a unique and really talented band. Do check them out now or when the album comes out in the U.S. later this summer.

Fun Stuff I’ll Be Doing Soon

I’ve been trying to come up with some sort of an events calendar/database for stuff like upcoming concerts, talks, CD/DVD releases, etc. that are of particular interest to me. So far I haven’t found a solution I like (so I may just write something on my own), so in the meantime I’ll just do a normal post. (That is why, as you may have noticed, there is an “Events” header on the right with nothing under it.)

I guess I share this stuff since I figure it’s probably of interest to a few more people than just me, plus if it’s something like a concert or whatever maybe more people can join in the fun, yeah?

Month Day Exciting Thing
April 19-23 In the Mood for Love at Central Cinema
April 25 Final Fantasy VII – Advent Children DVD release (sort of a “part two” to the FF7 video game — one of my all-time favorites)
April 26 Ladytron in concert at Neumos (buy tickets)
April 28-29 Coachella in California (I’ll blog about this more as it approaches and after the show)
May 9 Just Like the Fambly Cat by Grandaddy (their last album… sadness…)
May 9 Queer as Folk season 5 (the final season)
May 9 The West Wing season 6
May 11 SIFF 2006 lineup announced
May 11 Goldfrapp at The Showbox (buy tickets)

Also, as for things that have happened recently that are worth looking into: Knots Landing season 1 on DVD, Placebo’s latest album Meds, Ghostface Killah’s Fishscale (believe the hype about this one — it’s the best hip-hop I’ve heard since Kanye West’s first album), Gorillaz’s Demon Days Live in Manchester DVD, and the high school noir (done in a totally serious way) Brick.

Too Many CDs

You know you have too many CDs not when you run out of shelving space (because you can always increase that) or when you go to buy used CDs and you have 25 percent (or some higher-than-it-should-be-percentage) of the CDs you see… no, you know you have too many CDs when you have a “wish list” on a site like SecondSpin that contains CDs you want to buy, then you order them last week and they arrive today and you realize (though not until you start flipping through the linear notes and realize that the artwork is really familiar) that you already own the CD!

Yes, that happened to me today with Cassius‘ album 1999.

I’ve recently become really interested in one-half of Cassius, Philippe Zdar/Zdar so I ordered both Cassius albums last week, the aforementioned/already-owned 1999 and Au Reve.

To be fair, for whatever reason, I hadn’t put 1999 into my iTunes library, and if an album I own isn’t in that library, it might as well not exist. Lame excuse, I know, but I’ll have to live with it.

So…. if anyone wants a free copy of Cassius’ 1999 (it’s great loungey/Frenchy/electro stuff), let me know. Otherwise you can find it in the used bin at Everyday Music next week.

A Desperate Prediction

Bree and Justin (and Andrew)
Even though I read stuff like SpoilerFix and this hasn’t showed up, I’m predicting that on Desperate Housewives when it comes down to the Bree vs. Andrew storyline (for those not familiar or caught-up with the show, Bree’s son Andrew is trying to become emancipated because she’s conservative and somewhat homophobic), Andrew’s boyfriend Justin (who determined he was gay after he madeout with Gabrielle Soleiz and didn’t feel a thing for her) is going to come to Bree’s defense.

Why would Justin want to date someone as evil and scheming as Andrew? Sure, Bree hasn’t been the best mother to him, but Andrew is getting downright evil now. In Sunday’s episode he told Bree that if she didn’t let him go, he would accuse her of sexually molesting him as a child. Yes, Andrew may be hot, but that wears off after a while. You can tell in the scene after Andrew threatens Bree when Justin turns around, his sympathies are with Bree, not his boyfriend.

So I am predicting that whenever this storyline resolves itself, that Justin will somehow intervene and testify against Andrew on Bree’s behalf or something like that. The gays are good people (despite what Andrew may lead people to believe), and I think in the end Justin will come through.

Music and Noise

Always one for trying to deconstruct whatever possible and saying that something’s opposite is the same as that something (e.g. love and hate are one in the same, etc.), I was reminded today about how beautiful noise can be.

When I was in junior high and high school and loving bands like Sonic Youth and Babes in Toyland, I remember my dad complaining about the songs and saying that they were nothing more than noise. I argued that it was music, of course, but maybe he was on to something?

Then I remembered a time during my freshman year of college when I was sitting in my dorm room and I thought I heard someone on my floor playing Sonic Youth’s song “Washing Machine.” I went outside to see if I could track down who had the obviously awesome taste in music when, instead, I saw the cleaning person vacuuming the stairwell. I guess Sonic Youth really is noise. (But who is to say vacuuming isn’t a nice sound.)

Today while heading to Tower Records for my monthly music binge, I walked past a parking garage where, for some reason, all of the car alarms were going off at the same time (or something happened to make a noise like that). I couldn’t help but stop and listen to the sound — it was really cool. I wish I had a tape recorder with me so I could have captured it.

2046 and the Oscars

If you aren’t aware of my obsession with the film 2046, well, do a search for “2046” on my blog and you should get an idea of how much I love this movie.

That said, I was sad (though not surprised) that 2046 wasn’t mentioned anywhere when it came time for film award season. I understand that it’s a foreign movie and that it was technically released abroad (in Asia, at least) in 2004, but still, this movie deserved something at the Academy Awards or Golden Globes. (See the awards it did win over at IMDB.)

But what is maybe more saddening to me is that I haven’t read any critics really agreeing with me, that is until I read “Pushing the envelope” by Stephanie Zacharek over at Salon.com.

She mentioned that Tony Leung, Gong Li, and Zhang Zihi all deserved recognition for their work in 2046, and I love her for saying that.

I would probably award 2046 something in every category, but that’s just me.

Destroy Rock (And Roll)

I’ve completed my first “DJ mix” project: “Destroy Rock (And Roll).” I’ve had the idea of doing a project like this for quite a few months now, but never had the software or confidence or whatever to finish it. So for about a month I’ve been playing around with MixMeister (thanks to Johan at Pop is Now King) and finally came up with something I like.

The mix starts with Mylo’s “Destroy Rock & Roll,” which I think is appropriate since it’s like me destroying my rock and roll past (like back when I wanted to be a bass player) and moving on to electronic music. The “VH1”/“In My Arms”/“Ready 2 Wear” segment goes together since “In My Arms” uses the same sample that “VH1” does and I’ve always thought the heavier beats in the Linus Loves remix of “In My Arms” were similar to those in Benny Benassi’s remix of “Ready 2 Wear.”

I just had to include “Hung Up” in the mix, though it took me a while to decide on which remix fit best. Then it was a matter of finding a song that you would never expect to find alongside Madonna, so “Destroy Everything You Touch” felt perfect… but that turned the whole project a little darker, so I followed it with “Silent Shout” (a rather creepy song, I think) and continued the “weird” theme with Bjork’s “Who Is It,” albeit a fast and heavy remix.

I knew I wanted to include Royksopp, but it was difficult finding a good song — especially one that would flow with the very heavy ending to “Who Is It.” In the end, the Headman remix of “Only This Moment” worked best, and provided a nice segue into “Electrobix.” Again, I had a tough time finding a good Scissor Sisters song to include. I know I wanted to put them in, but none of the songs were working out. Once I figured out that I could crop out the annoying intro/outro for “Electrobix,” it fit the mix pretty well.

“DARE” was another song I felt needed to be in the mix, but was a total pain in the ass to fit in. I would’ve preferred a more interesting remix than this Soulwax one, but it worked, so oh well. I love how at the end of it the pace really picks up as it matches the beats in “Monster Hospital.” I originally had a much faster song following “DARE” which made the ending go too fast, but I loved the idea, nonetheless, and it worked for “Monster Hospital” too since the Soulwax remix of “DARE” is fairly slow.

I’m not sure whether “Avalon” is a good fit for the mix, but I love the song and wanted to toss in a Jacques lu Cont/Thin White Duke remix (in addition to his SDP aliased remix of “Hung Up”). Then for the closing, like a good bookend, I used a remix of the song that started it all and inspired the mix: “Destroy Rock & Roll.”

Obviously, the mix isn’t perfect. The second time I listened to it I noticed a bunch of “flaws” that I didn’t hear the first time (imperfect beat matching, weird sound levels during transitions, etc.). I was going to go back and tweak it, but then I figured that this was my first stab at making a mix and I’d have plenty of chances to improve, so I left the flaws intact. They are a good way to track my progress.

What comes after this? Two things: First, another remix — probably more of a downtempo one. This one is pretty upbeat and more club-like, and I’d like to do something that incorporates slower music I like. Second, a real remix remix. That is, taking a song I love, and taking it apart, changing it around, and reassembling it. This is probably more like item 50, since I’m going to need to learn a lot, but it’s fun, so what the heck.

For those who want to follow along, here is the track list broken into times:

00:00 — “Destroy Rock & Roll” (radio edit) by Mylo
02:29 — “VH1” (radio edit) by Linus Loves
06:43 — “In My Arms” (Linus Loves remix) by Mylo
09:04 — “Ready 2 Wear” (Benny Benassi remix) by Felix da Housecat
13:50 — “Hung Up” (SDP extended vocal mix) by Madonna
21:21 — “Destroy Everything You Touch” by Ladytron
25:30 — “Silent Shout” by the Knife
29:34 — “Who Is It” (Vitalic remix) by Bjork
33:02 — “Only This Moment” (Headman remix) by Royksopp
39:20 — “Electrobix” (12″ mix) by Scissor Sisters
43:20 — “DARE” (Soulwax remix) by Gorillaz
48:24 — “Monster Hospital” (MSTRKRFT remix) by Metric
53:11 — “Avalon” (Jacques lu Cont Versus remix) by Juliet
59:46 — “Destroy Rock & Roll” (Riton Re-Rub) by Mylo

[save]  Download “Destroy Rock (And Roll)” (very low-quality)

If you want a CD version of the mix, let me know and I might go ahead and send you one. I will be designing a CD cover and everything (and will update this post once that has happened).

Ooh La La!

Everyone: Go and download the iTunes song of the week: “Ooh La La” by Goldfrapp. It’s from the upcoming album Supernature (out in the U.S. on March 7). I’ve heard a few of the songs from the album, and although “Ooh La La” isn’t my favorite, when it’s for free, how could you lose?

And if you love “Ooh La La” (or it piques your interest, at least) checkout other Goldfrapp songs like “Horse Tears” and “Strict Machine” and “Twist.”

Triumph Of A Heart

Bjork in Triumph of a Heart
I must admit that ever since Homogenic, I’ve felt that Bjork has gone a bit downhill. I know a lot of people think that Vespertine was her best work, but with songs like “Bachelorette” (one of my all-time fav songs) and “Joga,” how could you go wrong?

I thought that Medulla was a step-up from Vespertine, but her later albums have just felt too cold.

Additionally, her videos have gone even more downhill. The collaborations between her and Michel Gondry (“Human Behavior,” “Army of Me,” “Isobel,” “Hyperballad,” “Joga,” and “Bachelorette”) were true works of art. Even non-Gondry videos like “I Miss You” and “All Is Full of Love” were amazing.

That said, the video for “Triumph of the Heart” from Medulla reassures me that Bjork is an amazing artist.

The video starts out with her in bed with a cat — it appears that they are in a relationship or something. They possibly have a fight or something, and Bjork takes off. She meets up with some friends down at a local bar and ends up getting rather trashed. At one point she goes into the bathroom and the various people of the bar do the strange noises that occur throughout the song. Eventually Bjork stumbles out of the bar and tries to walk home. She passes out on the street, and the cat drives up to bring her home. They make up pretty quickly and Bjork kisses the cat, which causes it to grow Bjork-size. The two of them do a dance (pictured above) and then the song ends.

I love how strange and funny the video is. I mean, most of Bjork’s videos are strange, but this one at least has some sort of “plot” and you feel like you know what’s going on.

Spike Jonze, who I am normally not a huge fan of, directed the video. Him and Bjork had previously collaborated for “It’s Oh So Quiet” (which was critically-acclaimed and all), so they make a good artistic pair, as well.

Who’s Sampling Who

I’m always interested in finding out where a song gets its samples from. I remember when I first got into electronic music I would hunt down the original songs so I could hear what changes were made and what parts were taken, etc. I specifically remember going through the linear notes to Moby’s Play and The Sneaker Pimps’ Becoming X to find the sources.

Recently on Amazon.com (of all places), I found one of the more helpful (though often annoying) user-created lists/guides: So you’d like to… find out who’s sampling who?

While it’s far from a comprehensive list, I did learn about Brandy’s “Should I Go?” which samples Coldplay’s “Clocks” and Dannii Minogue’s “Perfection” which samples Miami Sound Machine/Gloria Estefan’s “Turn The Beat Around.”

The only really good samples database I’ve been able to find is Ishkur’s Great Samples Database, but the interface is less-than-to-be-desired and it doesn’t even include all the samples listed on that Amazon page.