{"id":216,"date":"2006-07-01T12:54:23","date_gmt":"2006-07-01T19:54:23","guid":{"rendered":"http:\/\/thecompany.net\/jason\/posts\/2006\/music-make-you-lose-control\/"},"modified":"2006-07-09T09:37:40","modified_gmt":"2006-07-09T16:37:40","slug":"music-make-you-lose-control","status":"publish","type":"post","link":"https:\/\/thecompany.net\/jason\/posts\/2006\/music-make-you-lose-control\/","title":{"rendered":"Music Make You Lose Control"},"content":{"rendered":"<p>The idea that started this mix is basically the reason I started playing around with mixes in the first place. When I got Missy Elliott&#8217;s <i>The Cookbook<\/i> last year, I knew that I recognized the &#8220;music makes you lose control&#8221; phrase from somewhere else. It wasn&#8217;t until I became obsessed with remixes and, in particular, the work of <a href=\"http:\/\/www.discogs.com\/artist\/Jacques+Lu+Cont\">Jacques Lu Cont<\/a>\/<a href=\"http:\/\/www.discogs.com\/artist\/Thin+White+Duke\">Thin White Duke<\/a> that I remembered where I had heard it before: Jacques Lu Cont&#8217;s first foray into electronic music, his group The Les Rythmes Digitales and their song <b>&#8220;Music Makes You Lose Control.&#8221;<\/b><\/p>\n<p>Then while trying to find every Jacques Lu Cont\/Thin White Duke remix I could, I came across his amazing remix of that very Missy Elliott song, <b>&#8220;Lose Control,&#8221;<\/b> as well as the Faint&#8217;s <b>&#8220;The Conductor&#8221;<\/b> from their <i>Danse Macabre Remixes<\/i> remix album.<\/p>\n<p>Throughout all of those mixes I was mesmerized by the repetition of the word &#8220;control.&#8221; I imagined how cool it would be to mix all the songs together and really emphasize the similarities despite the fact that they were totally different songs.<\/p>\n<p>In fact, my first attempt at making a mix started off with these same three songs, but I scrapped that idea since I didn&#8217;t feel I had the skills I wanted and did the <a href=\"\/jason\/posts\/2006\/destroy-rock-and-roll\/\">Destroy Rock (And Roll)<\/a> mix instead.<\/p>\n<p>After that mix and playing around with mixing for a while, I figured it was time to revisit my original idea. To make things a bit more exciting I decided that I was going to try to take elements from surrounding sounds and place them in different songs. This would create somewhat of a weave idea. What I mean is, you have songs A, B, and C. You sample something from song B and include that element in songs A and C. For the Music Make You Lose Control mix I started with the phrase &#8220;music makes you lose control.&#8221; I got an isolated sample of the words from the original version of Missy Elliott&#8217;s &#8220;Lose Control.&#8221;<\/p>\n<p>It turns out that finding isolated things from other songs wouldn&#8217;t be as easy, so I scrapped that idea (though I intend to experiment with it more in later mixes) and just reused that phrase &#8220;music makes you lose control&#8221; throughout the entirety of the song. I realize, now, that it gets tired after a while&#8230;  so consider it something of an formal practice of something or a very obvious attempt at trying out a new (to me) technique.<\/p>\n<p>Once I had the first three songs put together, I wanted to somehow maintain the idea of music losing control. This doesn&#8217;t seem to be the case for <b>&#8220;Fearless&#8221;<\/b> as much, but I really liked the Richard X remix and compared to the original, this one has far more beeps and blips, so I tossed it in.<\/p>\n<p>With the Vitalic remix of <b>&#8220;Technologic,&#8221;<\/b> the music really does lose control. I consider this song to be a meltdown of sorts, especially when the somewhat industrial sounding noises start creeping into the end of &#8220;Fearless.&#8221; Back when I was playing around with the idea of weaving sounds, I had those strange noises break into &#8220;Fearless&#8221; much earlier. It&#8217;s great zip zapping sound, and I definitely want to reuse it again somewhere.<\/p>\n<p>The idea of everything falling apart continued into the nosiest Madonna remix I&#8217;ve ever heard: the Green Velvet mix of <b>&#8220;Sorry.&#8221;<\/b> Like the Destroy Rock (And Roll) mix, I felt compelled to include Madonna. I especially liked the idea that such a pristine poppy song such as &#8220;Sorry&#8221; could sound so different and alien.<\/p>\n<p>The height of things falling apart, however, is when Dimitri Tikovoi&#8217;s remix of Goldfrapp&#8217;s <b>&#8220;Twist&#8221;<\/b> cuts into the tail end of &#8220;Sorry.&#8221; If &#8220;Technologic&#8221; and &#8220;Sorry&#8221; introduced strange distortion noises, the crunching almost-organic stuff in &#8220;Twist&#8221; takes things to a new level. I contemplated using another Jacques Lu Cont remix (the &#8220;Conversion Pervsion&#8221; remix), but figured that might be overkill. Plus, as I said before, the mix I used is delightfully bizarre.<\/p>\n<p>Also, I must note, I think the transition between &#8220;Sorry&#8221; and &#8220;Twist&#8221; is probably the best in the mix. I love how the sounds from &#8220;Twist&#8221; create something of a symbiotic invasion at the end of &#8220;Sorry&#8221; and how you really cannot tell that they are leading into a new song. The transition makes me think of Tetsuo from <i>Akira<\/i> morphing with that energy at the end of the movie. Initially, I didn&#8217;t like the Dimitri Tikovoi remix of &#8220;Twist&#8221; since it took so long to get into the singing, but by layering it with &#8220;Sorry&#8221; you don&#8217;t even notice.<\/p>\n<p>So at this point I guess I figured, Well, music has lost control and now things are sounding like we&#8217;re on another planet&#8230; (and a scary one, at that). I could&#8217;ve kept going darker and stranger, but instead I decided that when music breaks down it turns into happier dancier music. Hence, the Dahlb\u00c3\u00a4ck &#038; Dahlb\u00c3\u00a4ck remix of The Knife&#8217;s <b>&#8220;Pass This On.&#8221;<\/b> Those familiar with Destroy Rock (And Roll) may remember that The Knife&#8217;s &#8220;Silent Shout&#8221; was the height of darkness in that mix. To change things up a bit, I decided to show the lighter side of The Knife for Music Make You Lose Control. <\/p>\n<p>Following up &#8220;Pass This On&#8221; was the most difficult part of this mix. For some reason, the beats at the end are extremely difficult to align with anything else. I remember being stumped here for quite some time. Then I heard the Armand Van Helden song <b>&#8220;Sugar&#8221;<\/b> somewhere and it got stuck in my end. Inevitably, it ended up in this mix, and although the transition isn&#8217;t great by any means, it&#8217;s better than anything else I tried. There isn&#8217;t much to say about the song itself other than the fact I like it, it&#8217;s catchy, and somewhat cheesy. Like I said, when music lost control it sorta spun off into a cheesy dance house world.<\/p>\n<p>Perhaps, though, the height of turning into pop music would be to include something by Britney Spears&#8230; and oh, look at what I did! I included the totally awesome Felix Da Housecat remix of <b>&#8220;Toxic.&#8221;<\/b> I came across this remix back when I was really into Felix Da Housecat remixes (his best ever: &#8220;Playgirl&#8221; by Ladytron) and have wanted to share it with the world ever since. The song clocks in at 143 beats-per-minute, which makes it one of the faster songs I&#8217;ve included in a mix (most hover in the 125-135 range).<\/p>\n<p>Following Britney&#8217;s act is a less-pop, but more-cool song by LCD Soundsystem: the Tiga remix of <b>&#8220;Tribulations.&#8221;<\/b> This transition works pretty well, and I love how for about a minute into &#8220;Tribulations&#8221; we still hear the Britster crooning &#8220;Toxic.&#8221; But why did I include this song? Good question. To be perfectly honest, &#8220;Tribulations&#8221; and <b>&#8220;After Dark&#8221;<\/b> by Le Tigre (and &#8220;Sugar&#8221; as well) weren&#8217;t included for any thematic reason. I liked the songs and thought they fit somewhat well into the mix.<\/p>\n<p>The closing song, however, I had planned from the beginning. For those who don&#8217;t know, <b>&#8220;Out of Control&#8221;<\/b> by the Chemical Brothers is probably my all-time favorite song. Vocals are done by Bernard Sumner from New Order and Bobby Gilespie from Primal Scream contributes, as well, making the song a powerhouse of goodness, as far as I&#8217;m concerned. The lyrics of the song also allude back to the original idea for this mix: control.<\/p>\n<p>So there it is: the second mix. Ultimtely, I feel that this mix isn&#8217;t as good as Destroy Rock (And Roll). I had too many thematic ideas for the first part (&#8220;control&#8221; and that breakdown of music thing) and after that everything just went sort of crazy. I should have tried to do a mix focusing on one of the ideas at a time or do a totally eclectic mix. Also, I feel that this one lacks the &#8220;shine factor&#8221; that I felt for the first mix. These songs feel too gritty or something (despite having songs like &#8220;Sugar&#8221; and &#8220;Toxic&#8221; and even &#8220;Tribulations&#8221; and &#8220;After Dark&#8221;). I feel that this mix has a more pastel or muted-color palette, which I don&#8217;t like as much.<\/p>\n<p>A final thing worth noting: I&#8217;ve decided to take a &#8220;DJ name:&#8221; Who Shot JR? I think this is a great idea since my initials are J.R. and I love <i>Dallas<\/i> so much. I may have to add a &#8220;DJ&#8221; before it, but for now I just want to be <b>Who Shot JR?<\/b><\/p>\n<p>So what&#8217;s next? I&#8217;m already 80% finished with the Gay Pride 2006 remix (and yes, I realize that <a href=\" http:\/\/www.seattlepride.org\/ \">Seattle Pride<\/a> was last weekend (I actually thought that it was in July until a week before it happened). So far I&#8217;m really excited about the mix. It&#8217;s totally cheesy but everything transitions nicely and you feel like you are in a gay club (which is the intention). The playlist includes my favorite songs from <a href=\"http:\/\/www.neighboursonline.com\/\">Neighbours<\/a> from the past year or so.<\/p>\n<p>00:00 &#8212; &#8220;Music Makes Your Lose Control&#8221; by Les Rythmes Digitales<br \/>\n02:32 &#8212; &#8220;Lose Control&#8221; (Jacques Lu Cont remix) by Missy Elliott<br \/>\n09:06 &#8212; &#8220;The Conductor&#8221; (Thin White Duke remix) by The Faint<br \/>\n16:08 &#8212; &#8220;Fearless&#8221; (Richard X remix) by The Bravery<br \/>\n21:49 &#8212; &#8220;Technologic&#8221; (Vitalic remix) by Daft Punk<br \/>\n26:46 &#8212; &#8220;Sorry&#8221; (Green Velvet remix) by Madonna<br \/>\n30:52 &#8212; &#8220;Twist&#8221; (Dimitri Tikovoi remix) by Goldfrapp<br \/>\n36:30 &#8212; &#8220;Pass This On&#8221; (Dahlb\u00c3\u00a4ck &#038; Dahlb\u00c3\u00a4ck remix) by the Knife<br \/>\n40:56 &#8212; &#8220;Sugar&#8221; (original club mix) by Armand Van Helden<br \/>\n47:43 &#8212; &#8220;Toxic&#8221; (Felix da Housecat&#8217;s club mix) by Britney Spears<br \/>\n53:30 &#8212; &#8220;Tribulations&#8221; (Tiga&#8217;s Out of the Trance Closet mix) by LCD Soundsystem<br \/>\n59:46 &#8212; &#8220;After Dark&#8221; (Morel&#8217;s Pink Noise vocal mix) by Le Tigre<br \/>\n65:18 &#8212; &#8220;Out of Control&#8221; by the Chemical Brothers<\/p>\n<p><img decoding=\"async\" src=\"\/jason\/wp-content\/themes\/double-reading\/images\/icons\/disk.gif\" alt=\"[save]\" width=\"16\" height=\"16\" \/>&nbsp;&nbsp;<a href=\"mp3\/musicmake.mp3\">Download &#8220;Music Make You Lose Control&#8221;<\/a> (very low-quality)<\/p>\n<p>If you want a CD version of the mix, let me know and I might go ahead and send you one. I will be designing a CD cover and everything (and will update this post once that has happened).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The idea that started this mix is basically the reason I started playing around with mixes in the first place. When I got Missy Elliott&#8217;s The Cookbook last year, I knew that I recognized the &#8220;music makes you lose control&#8221; phrase from somewhere else. It wasn&#8217;t until I became obsessed with remixes and, in particular, &hellip; <a href=\"https:\/\/thecompany.net\/jason\/posts\/2006\/music-make-you-lose-control\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Music Make You Lose Control<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[44],"tags":[],"jetpack_publicize_connections":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/posts\/216"}],"collection":[{"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/comments?post=216"}],"version-history":[{"count":0,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/posts\/216\/revisions"}],"wp:attachment":[{"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/media?parent=216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/categories?post=216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/tags?post=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}