{"id":179,"date":"2006-02-07T00:25:48","date_gmt":"2006-02-07T07:25:48","guid":{"rendered":"http:\/\/thecompany.net\/jason\/posts\/2006\/the-ice-storm\/"},"modified":"2006-02-07T00:25:48","modified_gmt":"2006-02-07T07:25:48","slug":"the-ice-storm","status":"publish","type":"post","link":"https:\/\/thecompany.net\/jason\/posts\/2006\/the-ice-storm\/","title":{"rendered":"The Ice Storm"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/thecompany.net\/jason\/files\/the-ice-storm.jpg\" width=\"500\" height=\"258\" alt=\"The Ice Storm\" title=\"The Ice Storm\" class=\"aligncenter\" \/><br \/>\nI just finished watching <a href=\"http:\/\/www.imdb.com\/name\/nm0000487\/\">Ang Lee<\/a>&#8216;s <a href=\"http:\/\/www.imdb.com\/name\/nm0000487\/\"><i>The Ice Storm<\/i><\/a> and it reminded me of a lot of other family-oriented dramas &#8212; and it especially reminded me of plays from the 1950s.<\/p>\n<p>I know it&#8217;s hardly profound, but I really like it in movies\/plays\/etc. traverse into the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Negative_Zone\">negative zone<\/a> (as the movie calls it, borrowing from <a href=\"http:\/\/en.wikipedia.org\/wiki\/Fantastic_Four\">The Fantastic Four<\/a>), where everything is sort of different and after the characters enter, everything changes. In <i>The Ice Storm<\/i>, about half-way through the movie there is (surprise, surprise) an ice storm during which pretty big events happen.<\/p>\n<p>The setup is pretty common among literature. Like I said, it reminded me of 1950s plays such as <a href=\"http:\/\/en.wikipedia.org\/wiki\/Long_Day%27s_Journey_Into_Night\">&#8220;Long Day&#8217;s Journey Into Night&#8221;<\/a> and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Who%27s_afraid_of_virginia_woolf\">&#8220;Who&#8217;s Afraid of Virginia Woolf?&#8221;<\/a> When I studied &#8220;Long Day&#8217;s Journey Into Night&#8221; in college (I wrote a paper titled &#8220;Searching for Reality: How Drugs, Self-Deception, and the Influence of Family Help Mary Tyrone Find Her &#8216;Self&#8217; In &#8216;Long Day\u00e2\u20ac\u2122s Journey Into Night'&#8221;), I remember my professor commenting on the fact that a major theme of 1950s American drama was family and drinking.<\/p>\n<p>Ever since then, I&#8217;ve noticed that lots of literature includes a structure where somewhere around the middle (or Act II), there is either some sort of natural disaster and\/or the characters become very intoxicated, and the truth comes out. More recent examples of this setup include <i>Magnolia<\/i> (raining frogs), <i>Anniversary Party<\/i> (ecstasy and a lost dog), and <i>Judy Berlin<\/i> (eclipse), and <i>Short Cuts<\/i> (earthquake). Likewise, I&#8217;ve noticed the theme in older works of literature. Shakespeare&#8217;s <a href=\"http:\/\/www.shakespeare-online.com\/plays\/midsscenes.html\">&#8220;A Midsummer&#8217;s Night Dream&#8221;<\/a> comes immediately to mind &#8212; once the characters enter the woods, everything changes.<\/p>\n<p>Despite the fact it&#8217;s a frequently used trope, I think it works. I think all of us can relate to those strange times or places in life when events compound on top of each other, and then some surreal bigger-than-life phenomenon takes place (or appears to), and for whatever reason, we gain some new insight into life and grow as a person.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I just finished watching Ang Lee&#8216;s The Ice Storm and it reminded me of a lot of other family-oriented dramas &#8212; and it especially reminded me of plays from the 1950s. I know it&#8217;s hardly profound, but I really like it in movies\/plays\/etc. traverse into the negative zone (as the movie calls it, borrowing from &hellip; <a href=\"https:\/\/thecompany.net\/jason\/posts\/2006\/the-ice-storm\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Ice Storm<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[12,6],"tags":[],"jetpack_publicize_connections":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/posts\/179"}],"collection":[{"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/comments?post=179"}],"version-history":[{"count":0,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/posts\/179\/revisions"}],"wp:attachment":[{"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/media?parent=179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/categories?post=179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thecompany.net\/jason\/wp-json\/wp\/v2\/tags?post=179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}